To my unutterable delight, I've just found that MOMA, NY, holds Golems Waiting Redux.
Which is about the destruction of Portland artist Daniel Duford's experimental sculpture installation in Portland, in early October, 2002.
The vandals were never found; the motives remain obscure. But Duford's determined documentation of guesses about motives and culprits vividly describes the social forces at work in the U.S. as it was on the point of invading Iraq.
At the end of the week the figures on the wall remained:
as though their nudity were a threat and their helplessness a provocation.
Which is about the destruction of Portland artist Daniel Duford's experimental sculpture installation in Portland, in early October, 2002.
The vandals were never found; the motives remain obscure. But Duford's determined documentation of guesses about motives and culprits vividly describes the social forces at work in the U.S. as it was on the point of invading Iraq.
At the end of the week the figures on the wall remained:
as though their nudity were a threat and their helplessness a provocation.
