About Me

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Portland, Oregon, United States
Co-founder, co-editor of Gobshite Quarterly and Reprobate/GobQ Books

Saturday, December 14, 2013

May it Please the Court

The American workplace is top-down, modelled on the military, on slavery, on the late mediaeval court: management is capricious and treacherous, with quasi-absolute power. The true business of employees is to dance attendance on these petty kings – hence the universal sentiment when the boss is gone (for the week, for the day, for the morning): Thank God. Now I can just do my fucken job.

That's why I'm so engrossed by the York and Lancaster queens, consorts, and relatives of Phillipa Gregory's depictions: they are (also) surrounded by capricious, treacherous, and absolute power, which they must navigate past and through to survive. The fact that these books of Gregory's are so popular, that the Tudor period is so much on our minds & in our media (or the other way round), suggests our growing intuition of the nature of the epochal divide we've crossed.

And so here they are, in historical chronological order:

The Lady of the Rivers (2011) - The story of Jacquetta of Luxembourg, the mother of Elizabeth Woodville
The Red Queen (2010) – The story of Lady Margaret Beaufort and her quest to place her son Henry Tudor on the English throne
The White Queen (2009) – The story of Elizabeth Woodville, the queen consort of King Edward IV of England and mother of Edward V
The Kingmaker's Daughter (2012) – The story of Anne Neville, daughter of Warwick "the Kingmaker" and wife of Edward of Westminster, Prince of Wales, and later of Richard III of England, and of Anne's elder sister Isabel Neville, wife of George Duke of Clarence
The White Princess (2013) – The story of Elizabeth of York, daughter of Elizabeth Woodville and Edward IV. Wife of Henry VII and mother of Henry VIII of England
The Last Rose (TBA) – Margaret Pole, Countess of Salisbury (not yet released)